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Act Too Studio Opera Workshop

Teen-powered opera

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April 27, 2016 by Melinda Beasi

Valley Gives: Let community teens show you the beauty of opera!

This coming Tuesday, May 3rd, the Pioneer Valley will be buzzing with the generous spirit of Valley Gives, a once-a-year festival of giving for area non-profits, now including our fiscally-sponsored program, Act Too Studio Opera Workshop. We are proud of (and dedicated to) all our students, whether they ever become part of the workshop or not, but here’s our pitch for what makes the workshop special, and why we believe it enriches the whole community, far beyond the teen singers involved.

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WHAT DO WE DO?

Act Too Studio Opera Workshop is an ongoing, student-driven educational arts project with performances throughout the year, including a fully-staged opera each summer.

Our growing workshop includes students between the ages of 13-19 at varying levels of vocal development, musical skill, and experience. Works are chosen with those factors in mind, and though this work is intended to be performed for the community, the focus of the workshop itself is very process-heavy. In order to bring their work to performance level, students are guided through deep musical and theatrical analysis of everything they do, along with study of the work’s cultural and historical context.

This summer, Act Too Studio Opera Workshop presents the works of 17th-century composer Claudio Monteverdi in a full-length, original narrative crafted especially for its teen singers, woven from excerpts from his operas, madrigals, and other works. The piece will be performed at Northampton’s beautiful, historic opera house, The Academy of Music, with guidance from early music expert James David Jacobs and new English adaptations by workshop director Melinda Beasi.

WHY DOES THIS MATTER?

Though we went into this project with the goal of improving our students’ musical skills, the real understanding that came out of it for all of us is that opera is for everyone. As our students discovered themselves and their own truths in the music and in their characters, their driving motivation became to share this discovery with everyone they know. And then they did, with remarkable success.

Tickets for last summer’s full opera production (Gian Carlo Menotti’s The Medium) were mostly gone well before opening night, and we found ourselves scrambling to cram in extra seats as other teens begged to be able to get in—some for a repeat performance. Just as our students surprised us with their initial interest in this project, they’ve also been the ones to show us that our conventional ideas about what most people will like or accept are just plain wrong.

“It’s like, instead of falling in love with a person, I fell in love with opera.” – McKenna, 14

For our teens, themselves, not only have they learned to love opera, but they are constantly impressing us with their own brilliance as interpretive artists. As we begin work on 2016’s summer Monteverdi project, students have already become intimately involved in the creative process, brainstorming ideas for the new narrative we’re constructing, providing feedback on English adaptations, offering up costume concepts, discussing their characters, sorting them into Hogwarts houses (yes, really), and analyzing the music and text. These young people are immensely talented and absolutely stunning when they put this kind of passion in their work. It is a sight to behold.

HOW CAN YOU HELP?

In an era when the arts have become increasingly a luxury item, we at Act Too Studio Opera Workshop are dedicated to making our programming accessible to all our teens and to the community as a whole. To that end, we ask for your help.

Your donations to help us pay for pianists for our rehearsals and performances, and for production expenses such as sets, costumes, lighting, space, musicians, and other artists for our full productions. This year, you’ll also be helping us bring in an early music expert to guide our students through the process of bringing Monteverdi’s 17th-century masterpieces to life. And though movement has always been an important aspect of our work and training, this year we’re taking that to another level by incorporating ballet throughout our summer production. Your donations will help us hire our choreographers and procure rehearsal spaces suitable for dance.

Most importantly, though, you’ll be helping to create a beautiful, moving piece of art for these teens to share with you.

WHAT CAN YOU DO TODAY?

  • Join our Virtual Facebook Event, where we’ll spend the day on May 3rd sharing personal stories from our students and others who have been impacted by the program!
  • Check out our Valley Gives page, where you can start donating NOW, in advance of the official event!
  • Give up a few seconds of your time to vote for Melinda’s #CheersToTheValley video to help her win a $500 donation for the Workshop.
  • Share your own story! If you’ve been impacted positively by the Opera Workshop, we would love to have your story to share on Valley Gives day! Send your video, photo, prose, or any other kind of digitally-shareable media to Melinda at melinda@acttoostudio.com for her to share during our Facebook event!
  • Share all of these things with your family and friends!

We are grateful for any help, and so are our teens! Don’t just take our word for it, though! Let our teens speak for themselves!

Filed Under: Blog, front page, Uncategorized, Valley Gives 2016

April 26, 2016 by Melinda Beasi

Help us win $500 for the Opera Workshop!

This year, Valley Gives is holding a video contest called #CheersToTheValley. Anyone can submit a 30-second video talking about what they celebrate in the Valley, for which people can vote.

“On behalf of the contestants who create the top three most popular videos (based on the most “likes”) the Community Foundation will make a donation to a Valley Gives organization of your choice.”

1st place – grant of $500
2nd place – grant of$300
3rd place – grant of $200

Melinda has created a video talking about what she celebrates in the Valley (Spoiler: it’s YOUR awesome kids!) in hopes of winning a donation for our teen Opera Workshop. You can help by casting your vote here and sharing with all your friends!

VOTE HERE! SO MANY THANKS from Melinda & all the Opera Workshop teens!

Filed Under: Blog, Uncategorized, Valley Gives 2016

April 24, 2016 by Melinda Beasi

Valley Gives: Act Too Studio Opera Workshop

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Join us on Valley Gives day, May 3rd, for our virtual fundraising event on Facebook! Click here to go to the event, and let our teens tell you what the opera workshop means to them and to the community as a whole! Even if you aren’t able to donate during this year’s event, we warmly welcome you and ask you to share with your family and friends! Every show of support helps us to spread the word and increases our chance of success in this once-a-year fundraising event!

Filed Under: Blog, Uncategorized, Valley Gives 2016

March 20, 2016 by Melinda Beasi

Join us for Opera Scene Night 2016!

With spring on the way, it’s time for the Act Too Studio Opera Workshop to announce their second annual Opera Scene Night! Join our Opera Workshop teens (13-19) in an evening of opera scenes, including selections from Dido and Aeneas (Purcell), The Marriage of Figaro (Mozart), L’enfant et les sortilèges (Ravel), and a sneak preview of this summer’s Monteverdi project, Il sogno d’Arianna!

What’s in it for you? Let our students explain:

Where: Immanuel Lutheran Church, 867 N. Pleasant St., Amherst, MA
When: Friday, April 1st, 7:30 PM

How: Tickets are $5 for adults, students free! Reserve your tickets at artful.ly!

Support the Act Too Studio Opera Workshop

Filed Under: Blog, News, Uncategorized

March 7, 2016 by Melinda Beasi

Melinda’s Music Recs: Joyce & Fauré

One thing I’m always encouraging my students to do is to listen to more music, specifically music outside their current comfort zone, and especially to more classical music. Not only does this serve to broaden their tastes and to find more things beautiful in the world, but it also feeds their ambitions, strengthens their ears, and improves their natural musicianship. To that end, I’ve decided to begin making regular music recommendations here at the studio blog, in the hopes that this might inspire not only our students, but their families as well!

While my first recommendation probably seems like a no-brainer (everyone knows we love Joyce!), I’d like to explain why I’m choosing this album first in particular, among her fairly impressive catalogue. Also an apparent no-brainer is Joyce singing Handel and Rossini, repertoire for which she’s unquestionably renowned. These selections are beautiful, just as you’d expect.

But the real draw for me in this album is its small selection of songs by Gabriel Fauré. As a classical voice student, I was introduced to Fauré in the context of beginning French repertoire, sung mostly by underclassmen, pretty, but lacking in substance. That is what I thought at the time. If I was forced to sing French (my worst language as a student–I’m working on it now!), I preferred the unexpected twists of Poulenc or the impressionism of Debussy. What I ignored during those early years of my own musical development was the depth of feeling and delicate perfection of Fauré’s mélodies, many settings of the same texts I loved from Debussy, yet had rolled my eyes over in Fauré’s hands.

Didonato, Joyce: Songs Of Fauré, Hanh & Head; Arias By Rossini And Handel

In this album, Joyce graces us with Fauré’s Cinq mélodies “de Venise”, composed to five poems by Paul Verlaine: “Mandoline” (from Fêtes galantes); “En sourdine” (from Fêtes galantes); “Green” (from Romances sans paroles); “À Clymène” (from Fêtes galantes); “C’est l’extase” (from Romances sans paroles). Each performance is a treasure, but I’m particularly enamored with Joyce’s interpretation of “En sourdine,” probably my favorite piece of the bunch to begin with, I suppose, but absolutely transcendent here. I’ve spent entire commutes listening to just this song on repeat, and I’m sure I’ll do it again.

Also notable on this album is a selection of songs by 20th-century British composer Michael Head, 3 Songs of Venice (you’re seeing the theme here, right?) whose moody sensibility flows beautifully into the melodic relief of Fauré’s cycle.

The album is available digitally at both Amazon and iTunes. But before you head over to buy (which I dearly hope you will), I first must give credit where credit is due! It was a student who hipped me to the gloriousness of this Joyce D album in particular (thanks, Sage!), so before you dismiss this as boring adult drivel, remember that it came from a 16-year-old. The future is bright, my friends, bright indeed.

Filed Under: Blog, Melinda's Music Recs, Uncategorized

January 29, 2016 by Melinda Beasi

Production announcements: Il sogno d’Arianna!

With the new year well underway, we’re kicking preparations for this summer’s teen Opera Workshop production into gear! Before we get to that, however, let’s take a moment to look back at our studio’s first full productions, both of which have been strong forces in the direction of the studio as a whole.

Goblin Market (2014)

Though clearly a musical theater piece, Act Too Studio’s first production, Goblin Market was conceived pretty much alongside the planning of our original Opera Workshop project, and though it was not officially a Workshop production, its sensibility and character was an enormous influence on what the Opera Workshop would become. With its complex (often dark) themes, heavy classical influences, a script (drawn mostly verbatim from Christina Rossetti’s famous poem) entirely in verse, so perfectly suited to its tiny, effervescent cast, Goblin Market left in its wake the terrifying question “What can possibly follow this?” What, indeed.

The Medium (2015)

The answer to that question was The Medium. Written by Gian Carlo Menotti just after World War II, the piece was inspired by a stay in Austria, during which Menotti attended a séance with one of his hosts who believed she could communicate with her deceased 14-year-old daughter. The resulting story, about a scam artist who runs fake séances with the help of her sixteen-year–old daughter and a mute teenage boy, once again presented dark, complex themes—this time with an equally complex score—ideally suited to the Workshop’s older students, particularly its two graduating seniors. Playing to packed houses at Eastworks in Easthampton, the success of The Medium made producing full opera productions in the Pioneer Valley with teen singers seem truly possible. Suddenly, it all seemed possible.

Il sogno d’Arianna (2016)

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This summer’s project, Il sogno d’Arianna, is especially ambitious on a number of fronts, beginning with the material itself. Delving into the works of Claudio Monteverdi (1567-1643), we’ll be using the framework of “Lamento d’Arianna“—the sole surviving fragment of Monteverdi’s opera L’Arianna, based on the tale of Ariadne, princess of Crete, and her abandonment by Athenian hero Theseus on the island of Naxos—to tell the stories of women drawn from both Greek myth and Torquato Tasso’s epic 16th-century poem La Gerusalemme liberate (Jerusalem Delivered).

In addition to L’Arianna, our piece includes excerpts from Monteverdi’s L’Orfeo, as well as pieces from his 8th book of madrigals (“Lamento della ninfa,” “Il combattimento di Tancredi e Clorinda” and more) and selected Scherzi Musicali (“Quel sguardo sdegnosetto,” “Zefiro torna e di soavi accenti” and more). With guidance from early music expert James David Jacobs, we’ll be presenting our own new editions of these works including new English translations adapted specifically for our singers. The piece will also utilize ballet to tell its story, which will be the perfect companion to Monteverdi’s sublime score.

This production’s flexibility allows us to safely include our Workshop singers at its full range of ages (13-19) without fear of vocal stress, and we’re thrilled to have our newest members joining older alumni on stage this year.

Casting of our singing characters is complete as follows (additional dancers TBA):

Arianna: Eliza Carson
Euridice: Tess Mathewson
Erminia: Callie Damouras
Clorinda: Anna Plummer

Storytellers (and all other roles in the piece): McKenna Troy, Caroline Lee, Sylvia Simmons, Daaé Ransom, Sydney Scott, Carina Gravante-Gunnells, Milena Gravante Gunnells

Studio alumni Anna Plummer (Goblin Market) and Caroline Lee (The Medium) return to this production as both cast and as part of the creative team, bringing their ongoing training and experience back home to the Workshop. Alumna Alexa King (The Medium) will be returning in a production role as well! Stepping out of their creative/tech roles from last summer’s The Medium, original Opera Workshop members Tess Mathewson and Eliza Carson and new Workshop recruit Sylvia Simmons happily join us this year on stage. We’re excited as well to have McKenna Troy, once the youngest member of the original Workshop, as well as new Workshop members Sydney Scott, Daaé Ransom, and (new youngest members) Carina and Milena Gravante-Gunnells on board for their first full ATS production.

The students in this project are unique, not only in their willingness to pursue classical singing as teenagers, but their outright thirst for it. The studio’s policy is to invite students into the Opera Workshop when their voices are ready, but it bears repeating that, while vocal development is certainly beholden to age and time, it is hard work and dedication that ultimately brings these students’ voices to the fore. As our program continues, we hope that it will not only enrich the lives and artistry of the students involved, but also help to create an interest in classical singing both within the studio and in the community as a whole.

That said, we need your help! This year’s production will be presented at the Academy of Music in Northampton—a huge step up for the Workshop and its young singers. With that comes additional expense, not only for the use of the Academy itself, but also to ensure that the quality of the work lives up to the gloriousness of its venue!

Thanks to our fiscal sponsor, Fractured Atlas, helping out is as easy as a click and a couple of bucks.

falogoYou can donate by credit card online here:
Act Too Studio Opera Workshop

If you prefer, you can also donate by check. Checks should be made payable to Fractured Atlas, with “Act Too Studio Opera Workshop” in the memo line. Please contact us for our mailing address.

Act Too Studio Opera Workshop is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of Act Too Studio Opera Workshop must be made payable to “Fractured Atlas” and are tax‐deductible to the extent permitted by law.

Academy Final logo blk copyWhether you’re able to contribute or not, we hope you’ll join us at the Academy of Music on August 5th & 6th to see our latest creation! More news to come as the spring continues!

Act Too Studio Opera Workshop’s production of Il sogno d’Arianna is made possible in part by a grant from the South Hadley Local Cultural Council.

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Filed Under: Blog, front page, Studio Productions, Uncategorized

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It's official: CLEARLY there is no hope for the future of opera. (These guys just haven't gotten the message yet.) https://t.co/XC8cQjafYu

— Joyce DiDonato (@JoyceDiDonato) November 30, 2015

This work we're doing, students, is part of something beautiful, ancient, & so important. Thankfully, the work never ends! <3 @JoyceDiDonato

— Melinda Beasi (@mbeasi) January 9, 2016

Melinda! It is VITALLY important! Thank you for all YOU are doing on a day to day basis! YOU ROCK! https://t.co/1Fde0JJzdx

— Joyce DiDonato (@JoyceDiDonato) January 9, 2016

Who wants to be inspired? (I DO! I DO!) Then look at what @ActTooStudio was up to recently: https://t.co/FKJCUZXl6W #VivaMonteverdi

— Joyce DiDonato (@JoyceDiDonato) September 8, 2016

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